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Cinema Paradiso (Two-Disc Deluxe Edition) 
Actors : Antonella Attili, Enzo Cannavale, Isa Danieli, Leo Gullotta, Marco Leonardi
Director : Giuseppe Tornatore
Studio : Weinstein Company
by Weinstein Company
Brand : WELLSPRING/GENIUS
Release Date : 2006-11-07
Publisher : Weinstein Company
Availability : Usually ships in 1-2 business days
Number of Items : 2
EAN : 0796019797016
UPC : 796019797016
Avg. Customer Rating: (based on 299 reviews)
List Price : $24.95
Our Price : $9.98
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Description |
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A famous film director returns home to a Sicilian village for the first time after almost 30 years. He reminisces about his childhood at the Cinema Paradiso here Alfredo, the projectionist, first brought about his love of films. He is also reminded of his lost teenage love, Elena, ho he had to leave before he left for Rome. Cinema Paradiso is one of the most beloved Foreign films of all time! Winner of the 1990 Oscar for Best Foreign Film! |
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Americancivilwar.com essential video |
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Giuseppe Tornatore's beautiful 1988 film about a little boy's love affair with the movies deservedly won an Oscar for Best Foreign Film and a Special Jury Prize at Cannes. Philippe Noiret plays a grizzled old projectionist who takes pride in his presentation of screen dreams for a town still recovering from World War II. When a child (Jacques Perrin) demonstrates fascination not only for movies but also for the process of showing them to an audience, a lifelong friendship is struck. This isn't just one of those films for people who are already in love with the cinema. But if you are one of those folks, the emotional resonance between the action in Tornatore's world and the images on Noiret's screen will seem all the greater--and the finale all the more powerful. --Tom Keogh |
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Americancivilwar.com |
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Cinema Paradiso's complex, interwoven tales of wartime Italy, a boy's coming of age, and the history of cinema can be viewed in their entirety on the Director's Cut included in this Deluxe Edition. Director Giuseppe Tornatore's additional 50 minutes of footage provides closure for the saga's detailing Alfredo's death, and Salvatore Di Vita's lost relationship with his teenage love, Elena. Most of the 50 minutes serves as a continuation of the story, rather than as previously deleted scenes. The original, already celebrated Cinema Paradiso follows Toto (Jacques Perrin), a Sicilian boy who persuades the town projectionist, Alfredo (Philippe Noiret), to teach him how to show films. Spanning nearly 50 years, the film craftily draws parallels between Toto's life and those lives he sees on screen. As Toto matures into Salvatore, a successful Italian filmmaker, the Cinema Paradiso ages as well. Salvatore's return home for Alfredo's funeral is also a goodbye to his Paradiso, demolished to become a parking lot. The film's heightened sense of nostalgia subtly mirrors our humanistic love of movies, making it a tribute to cinema as an artistic genre. The Director's Cut can be fulfilling if one felt unsatisfied by the more ambiguous ending of the theatrical release, but it also feels slightly overwrought. Two documentaries in this package feature fans and critics praising Cinema Paradiso, proving its endurance as a classic. However, as Salvatore discovers over the course of the film, there is no need to improve a masterpiece. --Trinie Dalton |
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cinema paradiso |
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vhs tape in a very good quality. very happy with the purchase that i made.:) |
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I'm biased |
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This was my favorite film before I bought it, and it is still my #1. |
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Another Great Transaction |
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As usual my transaction with Americancivilwar was a pleasant experience. The product was ordered, confirmed and received in a timely manner. A tribute to the great service Americancivilwar continues to provide their customers. |
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What's wrong with the new version... |
The undoubted sentimentality of Cinema Paradiso was nicely balanced by the elliptical restraint of the original release; the mundane details of the central tragedy was left unsaid, a teenage love was left unconsummated, (much like the love-stories shown at Cinema Paradiso, thanks to the censoring local priest) deepening Salvatore's loss to the point that it acquired universal application and appeal, and became art.
This courage and restraint has sadly been negated by the addition of the new material, or, more accurately, the material originally deleted. The effect is, to my mind, disastrous, reducing a vibrant, lilting film to a soap-opera which leaves little to the imagination. Now, instead of the poignant yearning of the original we have middle-age stalking, sordid fumbling in a parked car and rehashed declarations of undying love. Fom poetry to tellenovella in one easy step. Che peccato!
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This is the best movie ever! |
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I saw "Cinema Paradiso" more than 30 times. Each time I cry like a baby and each time I like it more. It's the best film I ever saw and I'll be seeing it at least 30 more times. Don't miss it! |
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