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Hard Rock & Metal |
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Who's Next
Participated by The Who
Studio : Mca
by Mca
Brand : WHO
Release Date : 1995-11-07
Publisher : Mca
Availability : Usually ships in 1-2 business days
EAN : 0008811126926
UPC : 008811126926
Avg. Customer Rating: (based on 453 reviews)
List Price : $13.98
Our Price : $7.53
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Album Description |
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Japanese special edition of this classic original album re-released on CD and packaged in a 12 x 12 inch album sized LP replica sleeve with all the original artwork and tracks. Universal. 2005. |
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Americancivilwar.com essential recording |
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A mix of old favorites and buried treasures makes this edition of Who's Next a definite must. One of the defining albums of 70s hard rock from one of the 60s most successful bands, the original album includes some of The Who's best-known work, such as the anthemic "Baba O'Riley" and "Won't Get Fooled Again", the by turns sorrowful and angry "Behind Blue Eyes", and perennial favorite "My Wife". The new tracks on this album are equally worth hearing, including "Pure and Easy" (an alternate edition of which is available on Odds & Sods) and the original version of "Behind Blue Eyes". A hard rock classic, Who's Next is required listening for rock fans of all ages. --Genevieve Williams |
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Who's best |
Even though Tommy is their 'moment' for many for being a great concept album, and undoubtedly the greatest rock opera there ever was. This was The Who at their hard rocking best. These are the tracks that to me defined them as a power rock band (one of the best live bands in rock).
Never before had Townsend's songwriting hit home so hard and so consistently. This record was hugely influential in getting me into rock music (I wore out the vinyl version of this album). The expanded CD version has some interesting outtakes and oddities, but the original album still has the magic to make your hair stand. Superb. |
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Typical '70s junk. |
My mom made me leave the house for the first time in years or I would be grounded from World Of Warcraft for a week! Ugh! So I was taking a walk around this old junkyard and was rummaging though a pile of trash and found this album on cassette. I was excited- a new album to listen to! I put it in my Walkman from 1993 and hoped for an awesome album (hopefully as good as "St.Anger"). What a disappointment! I hated this album! Here's why:
1.) All songs sound the same
2.) Do they even have a bassist? I sure as heck can't hear the bass.
3.) The guitarist was awful
4.) The drumming was so simple, all in 4/4
5.) The vocals were horrid! He sounded like a dying cat
6.) The songs were generic and uncreative
Also, they were never on MTV or BET! So that's an automatic fail. Listen to some real music like Bon Jovi, people. |
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The Greatest album by the Greatest Rock Band |
I will be short on this. I am old enough to have seen The Who five times live, with the original greats and at their peak. Mostly at the Fillmore East in NYC. As much as I loved them as the best live performers I have ever experienced, I appreciate their genius more now. No Fireworks, makeup, no stage props, just the explosion of their energy and talent.
They put the B in Band, as they were truly the sum of their totally unique, individual parts.
Who's Next is simply the Greatest Rock Album ever made by the Greatest Rock Group ever assembled. Listen to every part of this, Moons incredible bass, Entwhistle's Bass, Daltry's singing and song interpretations and the guitar, arrangements, songwriting and lyrics by their creative force, Pete Townshend. Of course Baba O'Reilly and "Won't Get Fooled Again are not songs anymore, they have become ANTHEMS !! Check out the reaction of the cops and firefighters at the concert for 9/11 in New York, when the Who are playing. I am an ex New Yorker and it really brought me to tears, I knew what they were feeling as "Anthems", The Who were playing let them release their energy in some magical moments. Nothing to do with Who's Next, but Ringo's son Zack, the current drummer for The Who is fantastic.
Each of the musicians changed the way their instrument can be played. I can't really say that Moon and Entwhistle was a rhythm section, for sometimes Townshend was the rhythm section, with those power chords of his and their might be a lead Bass or even lead Drums in the song.
There is nothing even close to a weak part of this masterpiece.
The best from the best.
Jon
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Who' Next -- A Political Puzzle? |
Well folks, at a stop over in Hodgenville, Kentucky (courting the Lincoln Cabin Indepedents), they played my campaign song, "Won't Get Fooled Again" by The Who. Oh, I am sure you've heard it. And, any day now, I expect The Who's lawyer to contact me and serve a cease and desist order not to use the song in my campaign. This is modern day politics folks. I am but a victim of the overbearing burearacy that has taken over creative compositions in the public arena. Do not fret. All that will change when I am in office. And, it doesn't matter who's in the Congress and Senate. No. I have spirit guides and, if they fail, there is always the handy dandy veto. Face it. You are impressed at this point.
But, no matter. I am here to review a classic in the rock arena. I have always been reluctant to review the really big, classic profferings for some reason. Perhaps it's because so many have zeroed in and written reviews. What could a poor Seer add to all that has been said before about this? Well, I'll tell you..... PLENTY!
This is The Who, at perhaps, their most rocking and most soothing best. It stands the test of time, and that is due, largely in part, to Peter Townsend's musical creativity as well as the subject matter. This is not shallow rock, not by a long stretch. There are windows to see into each song, and they give you some other aspect with which to view the contents. It is a maze, of sorts, but by invoking the spirit of Meher Baba in "Baba O'Reilly" we are faced with a very interesting spiritual exercise, to say the least.
"Baba O'Reilly", beginning with that constant organ loop at the inception. Creative. Who else do you know that would begin a song this way? But it entails a journey with a righteous fiddle ending. It is teenage wasteland, after all. But, do they mean drugs (!) or is it, rather, the waste of youth propelled towards the common, the status quo? These are questions that need to be asked. But, there also is conveyed the freedom of the mind with:
"I don't have to fight, to prove I'm right...
I don't need to be forgiven".
This, after all, is the creed of a free mind. Spiritual in essence, other's concerns about you affect you not. Believe it or not. The spirituality continues with the hard rocking "Bargain". Most people will say it's about a love of his life. But, look deeper. Not only does he not qualify who or what he's taking about, but, looking on, one has to wonder.
"I sit lookin 'round, I look at my face in the mirror,
I know I'm worth nothing, without you.
And like one and one don't make two, one and one make one, And I'm looking for that free ride to me, I'm lookin for you".
A woman, or an ode to God? One must ponder.
I must insert here, that all the melodies are righteously right on. This is the band at their most vital. Their best. Everything falls into place like an intricate jigsaw puzzle. You get the easy comfort and bluesy acoustic guitar in "Love Ain't for Keepin", (which is about a woman) and really clever lyrics contained in that insistent rocker "My Wife". It really sounds like this women becomes possessed with ultimate revenge based on her imaginative thoughts. The lengths this man will go through to escape is strictly astounding.
We then get to the grandiose, but sad ode of "The Song is Over". Regrets and sadness, the Who have a way of conveying it gloriously somehow. A sad, but noble, end of a relationship. "Gettin' In Tune" begins easy with a soft piano intro, but then comes the band, with Keith Moon leading the charge. This, and the manic "Goin' Mobile" (which reflects the freedom of youth as an escape) are a good prolougue to what comes next.
One of the most interesting tunes on this album (I feel) is "Behind Blue Eyes". Townsend sends you to the essence of the real soul, the one that lies underneath, hidden from society. It is the complexity of the individual that is so notable here.
"No one knows what it's like, to be hated
to be fated, to telling only lies.
But my dreams they aren't as empty
as my conscience seems to be,
I have hours, only lonely
My love is vengeance that's never free"
What is observable and what's inside an individual is a very complex state. Townsend reflects this in a most succinct way.
"Won't Get Fooled Again" is the anthem that I enjoy so much. And, face it, no matter how much we sing this, there is always someone else coming down the runway to fool us again. Is there no escape? You can escape, the best you can. But, this song, although a revelation of freedom, ends with the fact that everything's the same, no matter how we want it not to be so. "Meet the new boss, same as the old boss". True. And the pitfalls and pratfalls of bosshood seem to be an ever constant thing. Unfortunately.
For the completist, the rest of the selections pertain to other things Townsend was working on throughout this era. More introspection is given with "Pure and Easy". The perfect nirvanic ring "There once was a note- listen". And a continuance with "The Naked Eye". Everything may be fine in what you see physically, but don't forget about your other eye. All these extra tunes add a wonderful cadence to an iconic album.
This one is a classic rock album folks, make no mistake about it. It is amazing to see the growth of the Who as to when they started out (revolutionary- destroying guitars and kicking drum kits off the stage), to a sense of purpose and learning and yearning. They became craftsmen in the process and wonderfully creative and imaginitive. This album is definitely one of the top, definitive, rock albums of all time. Your collection will suffer greatly if you don't have it.
Well, I better go now. I just received a subpoena from The Who. Guess I'll have to use another song. Do you think they would let me use "My Generation"?
Times are rough in the heartland..... Metamorpho
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What's Next: a whack job marketing ploy @ Americancivilwar.com |
The product information is jumbled because those who placed it have no idea what the product is. First off, is it really an LP not a CD? Secondly, the despairing different information between Americancivilwar.com essential recording, the Product Description and the Track Listing are mind-boggling. Start off with the Track Listing, which is the CD order of the original 1971 LP listing. The Product Description throws another problem into the mess when it states, "UK LP pressing. Contains a voucher enabling the purchaser to download MP3 versions of the songs within" but the Label listing is Geffen Records, an American company. At least it does use the term "pressing" which would indicate an LP, but such miss information doesn't prove that to be valid. Even more glaring is because it is the "Who's Next [ORIGINAL RECORDING REMASTERED] [EXTRA TRACKS]" (1995) Product Description verbatim. The Track Listing on the 2008 product is seven songs short of the Product Description. Also, the "voucher," if you were to get the UK LP pressing, would you have to sign up for company in order "to download MP3 versions of the songs within," or what? I believe you'd have to sign up for a subscription with a company (which means pay money) since they didn't give you the MP3 tracks outright. And there is the price tag! WOW $19.98 regular with a whopping 5% off. O Americancivilwar is giving customers a wonderful deal! What makes this product better, is it Blue Ray, are they DVD quality as Townshend has advocated on his own website? Are these from the Masters or Remastered?
I love the album, but what it is that Americancivilwar is selling is such a mysterious product that they do not know what it is! |
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