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Big Blue Ball
Participated by Peter Gabriel, Sinead OConnor, Karl Wallinger, Various Artists
Studio : REAL WORLD
by REAL WORLD
Release Date : 2008-06-24
Publisher : REAL WORLD
Availability : Usually ships in 1-2 business days
EAN : 0884108014523
UPC : 884108014523
Avg. Customer Rating: (based on 27 reviews)
List Price : $17.98
Our Price : $11.47
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Product Description |
Big Blue Ball is the long-awaited, much-anticipated collection of stand-out tracks culled from the all-star, pan-global collaborations that took place over three years of Peter Gabriel s legendary Recording Week gatherings at his state-of-the-art Real World Studios in the English countryside.
Produced by Peter Gabriel, Karl Wallinger (of World Party, Waterboys) and Stephen Hague (Pet Shop Boys, OMD), it s a nonstop stream of poignant, sterling performances by a truly stellar lineup of artists-- including Gabriel, Wallinger, Sinead O Connor, Natacha Atlas, Iarla O Lionaird and James McNally (both of Afro Celt Sound System), Papa Wemba, Joseph Arthur, Tanzania s late music legend Hukwe Zawose, Hungary s Marta Sebestyen, Tim Finn, Cameroonian starFrancis Bebey, Vernon Reid, Justin Adams, Jah Wobble, Billy Cobham, Rupert Hine, gospel group the Holmes Brothers, flamenco guitarist Juan Canizares, Japanese percussionist Joji Hirota, and many more...in all totaling 75 artists from over 20 countries.
It s like a wall of sound coming at you, listening to the planet from outer space, says Karl Wallinger of the final mix. It s a real world-view of music, a snapshot of the music-making continents at that time. It s a more apt time to release it now than ever before. I think it s actually gathered weight with time, because it s people from all over the world playing together, just getting on together. There s an iconic aspect about that which is probably more important now. Things have become more partisan. It s a timely reminder of how you can cooperate.
Big Blue Ball s songs were created and recorded between 1991 and 1995, but the album has been an active work-in-progress at Real World ever since, a labor of love with ace producer Stephen Hague working closely with Peter Gabriel and Karl Wallinger. Holding the disparate elements in place is the powerful backbone of big drum tracks underpinning many of the songs. Wallinger says, Everyone was in orbit around this groove, and there is a universal language of dance, of dance grooves. That groove is the one bit that s non-denominational on the album.
Says Peter Gabriel, It s a fine wine ready to be drunk. It was the most fun music making I ve ever had. I d love to do it again. |
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Not the best Gabriel album of all time, but it really isn't one |
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If I were to rate this as a pure PG album, it would not be on the top of the list, but as a Gabriel inspired and directed project I think it does quite well. The semi-consistant world drum groove in the background of most of the tunes helps provide a general consistency and vibe to the whole album. Burn You Up Burn You Down is a fun tune, as is the title "whole thing". This seems like more of an album you have on in the background than one you actively listen to (like 3, security or melt), but Gabriel fans won't be disappointed, and by the time you get to "Big Blue Ball" at the end, the album will already feel like an old favorite. |
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Peter Gabriel's big blue ball |
Having listened to the free samples, I can safely conclude that this figurative ball sack of songs is a mixed bag, as it were. The songs seem to be organized around the theme of being unable to satisfy one's deepest desire--hence, "Big Blue Ball"--and indeed, I walked away from the samples with a very real case of big blue balls (actually I merely rolled over). I wanted satisfaction but what I got only made me hurt more.
However this veritable mid-life crisis of world music is notable for highlighting the barbaric chants and whoopings of primitive countries, which lends the album a certain poignancy. I cannot listen to certain tracks without being filled with great sadness that luxuries as simple as margarine or 80/20 polyester blends have yet to reach most of the developing world.
In closing, I would advise Peter Gabriel to tackle a bigger subject next time--not to imply the size of Gabriel's own bullocks is somehow lacking, as I have no evidence despite years of unanswered fan letters in which this subject came up more than once. |
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World Music at it's Best |
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this collection, albeit various artists and times, is quite riveting. I couldn't get it off my CD player for weeks...Every listen warranted a new attention to each song...The one constant I've learned from Peter Gabriel, you need to listen to him with a new ear. If your expecting more of the same, your not going to get it. I've always appreciated his boldness in being a pioneer in sounds, and his honesty in sharing himself. I share in his Dream of Us being One World...Idealism at it's best. |
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PG comes through again |
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I really enjoyed this CD. It's amazing how cohesive the disc is, given all the different time periods it was recorded in. A good idea during one session may not sound as good when you're adding to it 3 years later, but this collection contradicts that theory easily. All the tracks sound superb. I particularly like Whole Thing and the original version of Burn You Up, Burn You down. I have been a Peter Gabriel fan for decades, and I have yet to be let down by one of his releases. This is not totally a Gabriel disc, but there's enough of him on it to warrant adding it to my collection. |
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Great Gabriel! |
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Although not a "Peter Gabriel" album per se, this album bears his siganture handprint. From mystical to grinding, the tunes here will not disappoint. |
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