| Subcategories |
 |
Alternative Rock |
|
|
|
|
 |
 |
| |
|
|
|
|
|
Med Sud I Eyrum Vid Spilum Endalaust
Participated by Sigur Ros
Studio : XL Recordings
by XL Recordings
Release Date : 2008-06-24
Publisher : XL Recordings
Availability : Usually ships in 1-2 business days
EAN : 0634904036423
UPC : 634904036423
Avg. Customer Rating: (based on 61 reviews)
List Price : $11.98
Our Price : $7.48
|
|
| |
|
Product Description |
Inspired by the unfettered feeling of the acoustic performances filmed during Heima, Sigur Rós
adopted a looser approach in creating their fifth album Med Sud I Eyrum Vid Spilum Endalaust.
The album consequently is fresher and more human than anything they ve previously
recorded.
Rough edges, cracked notes, and the sound of fingers on strings are audible resulting in tracks
(e.g. Íllgresi ) that prove to be the band's sparsest and most affecting work to date. Worry not
though, plenty of electric guitar can be heard throughout the album ensuring Sigur Rós
commitment to challenging sonic limitations.
Med Sud I Eyrum Vid Spilum Endalaust is truly a groundbreaking album for Sigur Rós. It s the
first time they ve attempted to write, record, mix, release and support (by touring) an album in
the same year. Notoriously known for their laborious writing/recording style and their Icelandic
roots, Sigur Rós decided to record an album outside of Iceland for the first time. Recording,
mixing and mastering sessions took place in such un-Reykjavik cities as New York (Sear
Sound and Sterling Sound), London (Abbey Road and Assault & Battery) and Havana. The
result is pretty much their leave home album, the anti-Heima.
The opening track, Gobbledigook , is a manifesto setter with its shifting/no time signature. On
the last track, All Alright , Sigur Rós find themselves singing a song solely in English for the
first time. The seventh track, Ára Bátur , was performed with a full orchestra and the London
Oratory Boys Choir. This was recorded in one take with no overdubs and the result was 90
people playing at once and just one perfect take. This is their first album working with Flood
(U2, Depeche Mode, PJ Harvey) and the first since their debut to not be recorded with Ken
Thomas. It was a true co-production, one that found Sigur Rós breaking out of old
molds/habits.
The cover artwork is a photo taken from a flyer for Ryan McGinley s most recent photo
exhibition in NYC, I Know Where the Summer Goes , and the image captures perfectly the
spirit of the album, one of free-spirited happiness and exploration.
The band will be touring the US throughout the fall of 2008 to support Med Sud I Eyrum Vid
Spilum Endalaust. |
| |
|
| |
|
A tad underdevloped |
3 1/2
Starting off briskly, the majestic quartet's up-tempo pop dabblings seem to have not hindered the new album at all, which includes something for everyone. Though they revisit their trademark sonic buildups and offer humble acoustic contrast, a certain balance just does not seem to have been struck in the track sequencing, tapering off in the final stretch, and often sounding like a collection of quite good b-sides instead of their latest release. |
| |
|
zzzzz. . . . . |
|
Quite boring. I'm new to Sigur Ros, so I'm not sure what everyone is talking about with the change to their sound and being more stripped down. This is so stripped down as to be boring. One of my few album purchase regrets and one where reviewers I normally find reliable got it wrong. If you're new to Sigur Ros and are wondering what the hype is about, save your money and skip this album. |
| |
|
Love It! |
Well, you either love these guys or you don't.
I happen to love them, and I'm all over myself with this CD.
No, this isn't "Taak" or "()", but there's much to love and fall in love with this one.
Just listen to it, and enjoy! |
| |
|
Their most accessible yet!!! |
With their fifth album, Icelandic quartet Sigur Rós may have earned the dubious honour of "most un-pronouncable title" or "worst album cover" ever, but it's also their most accessible album, a strong contender for "best album of the year" honours.
If you've never listened to them, it is difficult to describe their sound. Their lead singer sings in an ethereal falsetto, usually in their made up language Hopelandic, against a dreamy melodic folk/quasi-symphonic backdrop.
Opening cut "Gobbledigook" is a clap filled Folky affair. "Við spilum endalaust" took me by surprise, an upbeat Pop song that one could easily imagine on a Coldplay album.
Spare and cathedral sounding is "Festival" which builds to a towering climax. "Suð í eyrum" is a delicate piano ballad with tumbling sounding percussion building in as the song progresses. "Ára bátur" is an angelic sounding spare ballad one could imagine on some soundtrack to some epic. It features the 20 member London Oratory Boys Choir and the 67 piece London Sinfonietta.
"Íllgresi" is a lovely acoustic ballad, and the absolutely stunning "Fljótavík" is a piano ballad that finds lead singer Jónsi Birgisson's falsetto soaring vocally to Heaven.
The brief "Straumnes" is an ominous sounding instrumental, and closing is "All alright", their first foray lyrically in the English language. A tender lullaby-like piano ballad with Birgisson singing in a frail lower register in the first half. He might as well be singing in their signature Hopelandic from his warbling. Still, a stirring and beautiful song.
So many adjectives could be used to describe this album; ethereal, melodic, magical, hypnotic, hymnal, and they would still not be enough to describe the beauty of this stunning album.
|
| |
|
More Joyous, Great Music from Sigur Ros |
|
One of my favorite albums of all time is Sigur Ros' Agaetis Byrjun, so naturally I pick up their other albums as they come out. Takk was good as was ( ) but I'm really enjoying this new 5th album which according to the Sigur Ros website translates as "with a buzz in our ears we play endlessly." The first song, "Gobbledigook" is quickly becoming another favorite, bouncing from one speaker to another. The second song, "Inni mer syngur vitlajsingur" is an awesome anthem, but the title which in English translates as "Within me a lunatic sings" just makes me laugh. The song fills me with joy too. "Festival" starts out slowly, but then powers into another classic Sigur Ros song. "Godan daginn" is sweet and soft, almost like a lullaby and I hope no one ever watches me listen to "Vid spilum endalaust" because I'm just bouncing around in my chair. lol It's a true pop song. Their music isn't like any other bands I know of. The clear, high vocals by Jonsi Birgisson are sung in either Icelandic or "Hopelandic", a made up language that he uses to first fill in songs without lyrics. For the first time, one song on the album is sung in English. The album is fun and cheerful and full of life. I have to admit, I was first taken aback by the naked bottoms on the album cover, as well as on the video of Gobbledigook with everyone running through the countryside naked. It's not sexy, it's just sans clothing. :) Listening to Sigur Ros taught me to listen to music differently. I don't know the lyrics and can't begin to know what some of the songs mean, (witness my totally favorite song Flugufrelsarinn which I just found out is sort of about saving a fly in a river!) but I love the beautiful sound of Jonsi's voice and the gorgeous and overlayed background instruments, the uncommon use of playing an electric guitar with a cello bow, the symphony and boys choir in the background of "Ara Batur". It's a lovely album and I can't recommend their music highly enough. |
| |
|
|
|
