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Comics & Graphic Novels |
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Maus II: A Survivor's Tale: And Here My Troubles Began (Maus)
written by Art Spiegelman
Studio : Pantheon
by Pantheon
Release Date : 1992-09-01
Publisher : Pantheon
Released : 1992-09-01
Availability : Usually ships in 1-2 business days
Number of Items : 1
EAN : 9780679729778
Avg. Customer Rating: (based on 38 reviews)
List Price : $14.95
Our Price : $7.00
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Product Description |
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MAUS was the first half of the tale of survival of the author's parents, charting their desperate progress from prewar Poland Auschwitz. Here is the continuation, in which the father survives the camp and is at last reunited with his wife. |
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Interesting |
I must say that I find this work hard to properly describe in terms of how I feel about it. I think that it was a fascinating look at one man's experience in the Holocaust, but an equally important aspect is Art's interaction with his father during their conversations. This seems like an honest portrayal, especially since Art isn't afraid to include things that may make himself or his father look bad (he isn't always the most sympathetic son, at times a narrow-minded father). I think connecting the story of what happened then, and how it's effects are apparent for the rest of a person's life (although different people reacted in different ways) is interesting. The way this is written is especially effective, because it truly feels like Vladek is telling you his story first hand.
As for the artwork, although it isn't my favorite style, it seems to fit for this story. The simple, unpolished look is compatible with this story which is honest and raw. Finally, I would like to add that the second installment of this comic is darker, and more depressing and sad at times, but it is also quite powerful and once you read Maus I, you must (and will want to) read Maus II in order to feel any closure with the story. |
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Personlizing the Holocaust |
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One (two actually since there are two volumes) of the best submissions about the Holocaust which is designed to reach a broad audience. Maus and Maus II are written in the vernacular, personalizing the experiences of a camp survivor who is interviewed by his son. Excellent supplement to any Holocaust discussion. |
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Borders in store buy 4 get on free offer |
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When I included this and Maus 1 & Persepolis I was informed that they are not graphic novels and that I could not have one free. AMAZING! Of course after I asked for the distric manager's name/number there was a sudden change of heart BUT NOT a good instore experience from BORDERS at ALL. The GRAPHIC NOVEL is great. Borders are not. |
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Tragic, fascinating and stunning |
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In Maus II, Art Spiegelman continues his father's horrific story of persecution and imprisonment in Auschwitz during WWII. Mr. Spiegelman has an enviable talent for simple drawings that convey complex ideas and feelings. Scenes with his father seem all too real - both amusing and a bit sad. Great series, I'd recommend it to anyone. |
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Painting in order to Avoid Self-Portraits |
At first glance, Maus might seem like yet another attempt to spin the genocide of the Jewish people into something demeaning. I have seen people turn and walk away from the selection because of that, and when I suggested this as required reading in a class it was initially met with hostile responses. Looking into the reading changed the way people saw the thing being constructed here, however, and by the time the class had finished they felt like I did about the book because they were more than taken. They were moved and then some.
Far from words like "stereotyping," Maus tells a story that people see as disarming at first by casting the Nazis as cats and the Jewish people as mice. This makes it seem like it is approachable in ways that humanity isn't, and it also brings about a medium that people of all ages can understand. While it might be painful for someone really young to read it can still be read by kids, and the story doesn't look like a history book at first glance so the "what" and the "why" can be seen with fresh eyes. This leads to being able to take in the characters for what they are; individuals with individual lives and not vast amounts of statistics that lost the ability to live because of a word like "holocaust" or "Nazi." To me that is one of the most important things that the book does because, amidst it all, we can see reflections of people we know. The book takes the time to painstakingly make sure we never lose sight of that; unlike other books it neither glorifies the terrible nor does it make the miniscule mundane. Here, everything matters and the results hurt. The first book take a lot of tie exploring this and the second book, here, furthers that by picking up the pieces and showing you what happens when suffering continues to dig its claws into the fabric of lives.
It works well at what it does and then some and makes me happy I could introduce both portions to people that would otherwise miss out on it.
This collection of two actually found my face streaked with tears and the conversations we had about the read garnered much of the same response.
Much can be said about Spiegelman's work and how the characterizations are explored but the reality of the book is that it takes a hard-to-approach subject and shows it to everyone willing to explore. This means that a society hardened to the plight of something that seems so far removed can feel the pulse of something too monstrous for description.
I highly recommend and utterly respect both volumes of this work and cannot give it enough praise.
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