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Batman: The Dark Knight Strikes Again
written by Frank Miller, Lynn Varley
Studio : DC Comics
by DC Comics
Release Date : 2004-01-01
Publisher : DC Comics
Released : 2004-01-01
Availability : Usually ships in 1-2 business days
Number of Items : 1
EAN : 9781563899294
Avg. Customer Rating: (based on 228 reviews)
List Price : $19.99
Our Price : $10.30
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Americancivilwar.com |
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The Dark Knight Strikes Again is Frank Miller's follow-up to his hugely successful Batman: the Dark Knight Returns, one of the few comics that is widely recognized as not only reinventing the genre but also bringing it to a wider audience.Set three years after the events of The Dark Knight Returns, The Dark Knight Strikes Again follows a similar structure: once again, Batman hauls himself out of his self-imposed retirement in order to set things right. However, where DKR was about him cleaning up his home city, Gotham, DKSA has him casting his net much wider: he's out to save the world. The thing is, most of the world doesn't realize that it needs to be saved--least of all Superman and Wonder Woman, who have become little more than superpowered enforcers of the status quo. So, the notoriously solitary Batman is forced to recruit some different superpowered allies. He also has his ever-present trusty sidekick, Robin, except that he is a she, and she is calling herself Catwoman. Together, these super-friends uncover a vast and far-reaching conspiracy that leads to the President of the United States (Lex Luthor) and beyond. The Dark Knight Strikes Again is largely an entertaining comic, but much of what made The Dark Knight Returns so good just doesn't work here. Miller's gritty, untidy artwork was perfect for DKR's grim depiction of the dark and seedy Gotham City, but it jars a bit for DKSA, which is meant to depict an ultra-glossy, futuristic technocracy. Lynn Varley's garish coloring attempts to add a slicker sheen, but the artwork is ultimately let down by that which worked so well for DKR--this time around, it just feels sloppy and rushed. The same is true of the book's denouement, which happens so quickly that it leaves the reader reeling and looking for more of an explanation. Moreover, DKSA is packed full of characters who will mean little to those unfamiliar with the DC Comics universe (e.g., the Atom, the Elongated Man, the Question). Perhaps the book's biggest failing is that where The Dark Knight Returns gave comic book fans a base from which to evangelize to theuninitiated, The Dark Knight Strikes Again is just preaching to the converted. Comic book superhero fans will find much to enjoy here, but others would be better off sticking with the original. --Robert Burrow |
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Product Description |
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The Dark Knight Strikes Again is Frank Miller's follow-up to his hugely successful Batman: the Dark Knight Returns, one of the few comics that is widely recognized as not only reinventing the genre but also bringing it to a wider audience.Set three years after the events of The Dark Knight Returns, The Dark Knight Strikes Again follows a similar structure: once again, Batman hauls himself out of his self-imposed retirement in order to set things right. However, where DKR was about him cleaning up his home city, Gotham, DKSA has him casting his net much wider: he's out to save the world.The thing is, most of the world doesn't realize that it needs to be saved--least of all Superman and Wonder Woman, who have become little more than superpowered enforcers of the status quo. So, the notoriously solitary Batman is forced to recruit some different superpowered allies. He also has his ever-present trusty sidekick, Robin, except that he is a she, and she is calling herself Catwoman. Together, these super-friends uncover a vast and far-reaching conspiracy that leads to the President of the United States (Lex Luthor) and beyond.The Dark Knight Strikes Again is largely an entertaining comic, but much of what made The Dark Knight Returns so good just doesn't work here. Miller's gritty, untidy artwork was perfect for DKR's grim depiction of the dark and seedy Gotham City, but it jars a bit for DKSA, which is meant to depict an ultra-glossy, futuristic technocracy. Lynn Varley's garish coloring attempts to add a slicker sheen, but the artwork is ultimately let down by that which worked so well for DKR--this time around, it just feels sloppy and rushed. The same is true of the book's denouement, which happens so quickly that it leaves the reader reeling and looking for more of an explanation. Moreover, DKSA is packed full of characters who will mean little to those unfamiliar with the DC Comics universe (e.g., the Atom, the Elongated Man, the Question).Perhaps the book's biggest failing is that where The Dark Knight Returns gave comic book fans a base from which to evangelize to theuninitiated, The Dark Knight Strikes Again is just preaching to the converted. Comic book superhero fans will find much to enjoy here, but others would be better off sticking with the original. --Robert Burrow |
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What was going on? |
In virtually every story there is a device called exposition, essentially giving a reader the background of the characters and the situation at hand. Of the many failings evident with a reading of Frank Miller's The Dark Knight Strikes Again, it is a lack of exposition that is the most obvious and troubling.
Picking up about three years after The Dark Knight Returns, which I read last month, Miller presents a world run amok. Lex Luthor runs the government by controlling a generated president. Jimmy Olsen is on to the madness occurring but is widely discredited by everyone as off his rocker. Superman had a daughter with Wonder Woman a decade and a half before. Shazam apparently is controlled by the government just as Superman was in DKR. Braniac uses the lives of the citizens of Kandor to blackmail Superman. The public gets their news from scantily clad women on the web, and love their president even after evidence has arisen that he doesn't even exist.
How did all of this happen? Beats me. Miller doesn't really spend any time setting up the situation, he just dives in. As a result, I felt lost for most of the narrative. Characters just seemed to show up for no reason, out of the blue (Martian Manhunter, I'm looking at you.) Some characters I even had to look up online because they were so obscure (Hawk & Dove, The Question).
Doing his own inking was another of Miller's mistakes. He has a fairly cartoonish style, as evidenced in the adjoining picture, which of course wouldn't be a problem but it clashes with the overall tone of the story. Another issue is Lynn Varley's colors: bright and bold. She also uses a lot of computer generated coloring that sort of work with the media criticism in the book, but don't seem to gel with Miller's drawings.
The reimagining of character's looks is also problematic. Barry Allen would never wear bicycle tights with giant sneakers. Wonder Woman does not look attractive with a helmet that obscures her nose and brow, in other words her whole face. And Carrie's not Robin anymore, she's Catgirl. Her shoes are huge too, but they have rollerblades inside. How cool is that? Not very.
I feel like I have a lot more to criticize, but I disliked this novel so much that I think I'd just end up listing a bunch of gripes, and The Dark Knight Strikes Again is savaged all over the web, so I will resist. You can seek it out if you wish.
Media criticism is prominent in this volume as well, but while I enjoyed the satire on television in Dark Knight Returns, Miller falls short of making any sort of effective commentary on the internet and doesn't really function as an effective device. Whereas the television panels allowed the reader to view the action from the point of view of the average public, it is impossible for me to believe that anyone would be getting their information from these sorts of web feeds, not matter how much latitude I give Miller for his satire. |
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Not this time ... |
(Rating 2.5 out of 5)
You know, the sad part about this is that if I had never read anything by Frank Marshall I would probably have enjoyed this quite a bit.
As it was, it was just a nice adventure.
What made "Dark Knight Returns" and "Year One" so enjoyable for me was the deep, inner monologue of the main characters. Yes, sometimes it would go on for pages but at the end I was right along side the character emotionally.
In "The Dark Knight Strikes Again" the story (and me along with it) was jumping around so much between the plethora of plot points and characters I never got the sense the story really knew where it was going nor what the characters were feeling.
Afterwards, I felt as if the whole story could have been split into 3, each building on the other.
Alas, my high hopes were not met. |
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weak |
First I should say that Miller's the Dark Knight Returns is one of my favorite pieces of literature. It is exquisite, but the sequel is rather weak. The art isn't anywhere near as good as the original. The story had some good moments but was overall way too heavy handed. Miller felt the neeed to beat us over the head with the point he was making. I prefer to forget about this graphic novel and end the Batman saga with DKR.
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Disappointing would be an understatement |
The Dark Knight Returns was great. Truly great.
This was, well, crap. The story makes no sense and the art is frankly (hah a pun) childish. The eventual villain totally ignores years of DC continuity and character development. Superman and Wonder Woman are caricatures of themselves.
While reading it, I couldn't help but think that Miller was intentionally punking everyone who read and loved the original. that story actually had respect for the characters it portrayed. This just made fun of them for no logical reason.
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Makes Clooney's "Batman and Robin" Look Good By Comparison |
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Just about everyone else who gave it one star has already put it better than I ever could. This was the single most disappointing Batman story I have ever had to suffer through. And a warning for those seeking All-Star Batman and Robin out... the art may be tons better than what you find here, but Miller's writing is still just as bad. |
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