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We Tell Ourselves Stories in Order to Live: Collected Nonfiction (Everyman's Library)
written by Joan Didion
Studio : Everyman's Library
by Everyman's Library
Release Date : 2006-10-17
Publisher : Everyman's Library
Released : 2006-10-17
Availability : Usually ships in 1-2 business days
Number of Items : 1
EAN : 9780307264879
Avg. Customer Rating: (based on 12 reviews)
List Price : $30.00
Our Price : $11.95
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Product Description |
(Book Jacket Status: Jacketed)
Joan Didion’s incomparable and distinctive essays and journalism are admired for their acute, incisive observations and their spare, elegant style. Now the seven books of nonfiction that appeared between 1968 and 2003 have been brought together into one thrilling collection.
Slouching Towards Bethlehem captures the counterculture of the sixties, its mood and lifestyle, as symbolized by California, Joan Baez, Haight-Ashbury. The White Album covers the revolutionary politics and the “contemporary wasteland” of the late sixties and early seventies, in pieces on the Manson family, the Black Panthers, and Hollywood. Salvador is a riveting look at the social and political landscape of civil war. Miami exposes the secret role this largely Latin city played in the Cold War, from the Bay of Pigs through Watergate. In After Henry Didion reports on the Reagans, Patty Hearst, and the Central Park jogger case. The eight essays in Political Fictions–on censorship in the media, Gingrich, Clinton, Starr, and “compassionate conservatism,” among others–show us how we got to the political scene of today. And in Where I Was From Didion shows that California was never the land of the golden dream. |
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One of our greats |
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This book came up while I was buying "Political Fictions" for a friend of mine, and I was worried I'd missed something, but actually it's every nonfiction book she's written up through 2003. I've savored every word of Didion's nonfiction since reading "Goodbye To All That" (the final essay of Slouching Toward Bethlehem) in a nonfiction class in college , and she's never let me down. It's not simply that Didion is one of our greatest writers, its that her style is so incisive and unforgettable because she works with only a whisper of the incredible effort and vision she creates, she undoes the reader with observations that don't appear to be observations - she makes her conclusions about culture, nature, and humanity the only conclusions, and she can devastate, over and over again, in a single sentence. It's crazy to think of all of the nonfiction books I've bought of hers fitting concisely into under 1200 pages, but how lucky for the people that own this book to be able to do what took me years to do - track down each piece and appreciate it separately (except for the uber-successful Year of Magical Thinking, which still requires its own purchase). I hope readers take the time to appreciate the differences in each work, to consider how time and how Didion's consciousness adjusted from one book to the next, but the important thing is that she continue to be read and enjoyed. Here, you can read a piece like "Goodbye to All That," or "Quiet Days In Malibu," or that devastating final chapter of Where I Was From to hear that beautiful, plaintive, liberating sad voice, and then follow it up with Salvador or "In The Realm of the Fisher King" or "Vichy Washington" and appreciate a cunning that rips into politics and the culture at large. One strange review on here stated that it was unlikely Didion's work would outlast her life much, and while I don't know that to be untrue (I mean, she's still alive), one thing I've loved about her is that any contextual writing she does - writing about Joan Baez in the 60's, say, or seeing Georgia O'Keefe in the 70's, or Miami, or El Salvador, or Reagan or Hawaii - feels current because it speaks to the human observation watching it occur, and because the culture we make up (the "stories we tell ourselves") around whatever's occuring always remain the same. I wasn't alive or cognizant when much of what she writes about occurs, but to me, Didion's one of the great writers that made me feel connected to the world, feel less alone, and feel thrilled at every topic she's discussed. |
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Outstanding Selection |
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This is an outstanding collection of vintage and new Didion. It is a MUST have for Didion fans. |
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A Keen Eye, A Beautiful Voice |
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I seldom read non-fiction, due to habit and training, mostly. However, when I read essays like these, I am as amazed and inspired as I would be by any great piece of fiction. Joan Didion's voice is clear, her eye sharp. This collection gathers essays from the 60's (a time I remember very well)up to and including the Bush Administration (a time I'd just as soon forget)and manages to combine history, social commentary and personality profiles into keen observations not only about the world at large, but also about herself as a part of that world. She moves from Las Vegas (I love her take on that place!) to California to Miami to El Salvador. All the while, as I read I stand in amazement at the way she writes. In his intro to the book, John Leonard says her "black album" is the "habitation of a brave heart and a radiant intellect, an ice palace and a greenhouse. . . to instruct us and the sentences we can almost sing." Certainly said better than I could have. If you can appreciate journalism as literature, you will no doubt enjoy these essays. |
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Divinity between the covers |
WARNING! This is an extremely biassed review!
No one writes like Joan Didion. Every story, almost every sentence is a study of someone who obviously loves the language.
Didion hones in on our finest feelings, our fears, our sorrows shot from her literary arrow, with the truest aim.
I cannot read Didion without wanting to know more...there is something in her non-fiction pieces which reaches out and grabs you, drawing you into facts that would send you to sleep if it were someone else offering them to you.
This is a fine collection of Didion observations. No one does it better. I am still resonanting to Self Esteem from Slouching Toward Bethlehem and I read it 10 years ago. Where I Was From is full of California stories, and even if you've never even visited the place you would know it intimately when you finish the book.
A great collection.
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Joan Nadaion |
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Tasteless, meaningless, insipid, Joan Didion is a writer for our times. Her cool detached nihilism dovetails perfectly with a world that abjures conviction and commitment. Even so, her work won't long outlast her life. |
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